Memoirs Published: Catacombs of the Damned

by P J Cadavori

Gripping, compelling and chilling, Catacombs of the Damned is an epic take on the classic haunted house tale.

From the outset it is evident that PJ Cadavori’s writing is influenced by years of reading and a great knowledge of ancient history. His strong writing style effortlessly draws you in and renders you hooked from beginning to end.

In the first chapter we are introduced to the central characters and the aptly named village of Little Daunting, where the story is set. The premise of the family moving to the beautiful English countryside to escape financial crisis in London, makes for a gripping opening. The estate agent seems very keen to sell the dilapidated property they have their eye on, so keen that the hugely reduced price seems too good to be true. If this wasn’t warning enough, when they first meet a local, they’re told fascinating yet disturbing tales of the house’s past. Although Alison instantly senses something isn’t right, Bill is far more down to earth and sees it as an opportunity too good to miss.

Almost as soon as the family move into their new home, the supernatural happenings begin. They soon discover the house has problems far older, deeper and nastier than rats and dry rot. When Bill, Alison and their new gypsy allies investigate, they open the door to unimaginable horror.

Well-crafted, mesmerising and downright disturbing, Catacombs of the Damned is a must-read for any self-professed Horror fan. It is laced with sexy observation, built on a passion for history and written with great skill. PJ Cadavori expertly leads you from one scene to the next, introducing new characters right up until the end and skillfully pacing the suspense to keep you fully enthused, and left wanting more. Thankfully we won’t have to wait too long as PJ Cadavori is currently writing the prequel.

In the meantime you can check out PJ Cadavori’s blog and website. You can also follow him on Twitter and Facebook for updates. UK book lovers can enter P J Cadavori’s giveaway at Goodreads for a chance to win one of three copies of Catacombs of the Damed.

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Catacombs of the Damned by P.J. Cadavori

Catacombs of the Damned

by P.J. Cadavori

Giveaway ends May 15, 2013.

See the giveaway details
at Goodreads.

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Memoirs: Quick Guide

For your convenience we’ve compiled a quick guide to provide you with a checklist to help you write, edit and self-publish your memoir. Jam-packed full of advice and tips, our guide will help you write a memoir you will be proud of.

Approach

  • If you wish to write a memoir, don’t wait for the right time or hesitate in doing so. You can begin writing your memoir today and when a chapter in your life closes you can look at publishing it
  • If you would like to publish a memoir but don’t want to write it, you can record your story to a Dictaphone and contact a professional ghostwriter
  • Consider using a pen name if you are concerned about sharing potentially liable and/ or particularly sensitive information
  • Understand your motivation for writing a memoir. The more awareness you have of your purpose and reasons, the more drive and determination you will have to complete it
  • Break down the task of writing your memoir into small, achievable steps and set regular times for writing
  • Create a timeline outlining the period of time, events and emotional turning points you want to cover
  • Be selective and only cover events that your reader will find of interest or that are crucial to the story
  • Ensure you are passionate about your chosen subject matter –your enthusiasm will shine through in your writing
  • Write for a target audience and don’t try and appeal to everyone

Writing

  • Write the truth to the best of your knowledge – the more open you are, the more your reader will be able to connect with your words
  • Share your weaknesses as well as your strengths – readers can only relate to genuine, dynamic and real characters
  • Choose a theme for your memoir and ensure your story is organized around this. See Putting Pen to Paper for further information
  • Remember that you are not limited to telling your story in chronological order, you are not writing an autobiography
  • Refer to all the senses to bring your story to life – vividly recreate moments in time
  • Carefully lead the reader from one interesting event to another
  • Consider including letters, poetry and photographs if they add to the story
  • If you are new to writing, dedicate some time to building your writing muscle and finding your voice. See Putting Pen to Paper for further information

Editing and Self-Publishing

  • Give yourself plenty of time to read your work out-aloud to yourself. This will help you spot grammatical errors, repetition and accidental rhyming. It will also help you ensure that your writing flows nicely
  • Try not to get to attached to your memoir so you can revise and edit it as objectively as possible. Remember that you are writing for an audience and not yourself
  • Ensure your opening is engaging and hooks the reader’s interest quickly. Chances are, if you find your opening boring, so will your readers
  • Consider cutting lengthy explanations and unnecessary detail – you can include this later on without the risk of losing your readers interest
  • Would your memoir be stronger with fewer words? Use adverbs sparingly and look at polishing your words if a sentence doesn’t contribute to plot or character development
  • Get feedback from a trusted editor and listen to their advice. If a scene doesn’t make sense to them, even if it happened in real life, it won’t make sense to your reader. Our editors at Memoirs Publishing offer a dedicated and tailored, editing and proofreading service
  • Finally, you can contact an experienced self-publishing house like Memoirs, to see if they will consider publishing your true-life story

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Memoirs Published: Tremarrow

TremarrowFull of drama, love and compassion, Tremarrow is the thrilling sequel to Julie’s Meadow by Tony Dwelly.

Painting a brilliantly vivid world of life, trouble and friendship in the 1960’s, the period romance Tremarrow continues the story of the two old school friends, Julie and Sarah.

As with Julie’s Meadow, Tremarrow is full of heart, kindness and humility, and is just as moving, touching and inspiring. Through his writing style, Tony continues to make the drama and emotion of this intense narrative come to life. Gifted with the fantastic skill of effortlessly captivating your interest and seamlessly compelling you to read on, Tony doesn’t fail to honour the standard he set with his first novel.

In Julie’s Meadow, Tony introduces us to the two leading protagonists and the setting of Tremarrow Farm, on the opening page of the first chapter:

It all started when Fred passed his driving test, June 1961. Fred had a great pal named Julie. They lived next door to each other and had been inseparable all their lives. She as nineteen and engaged to be married in September to a local lad, Robert… On the day that Fred passed his test, he went in to Julie’s house to give her the news…

“Do you remember Sarah Page and John Brite at school?”

“Yes,” Fred replied, “you and Sarah were great friends, and they got married, a secret one I believe.”

“That’s right. Sarah’s pregnant, but the biggest surprise is that Lord Trelivan has given them the tenancy of Tremarrow farm as a wedding present, much to his son’s disgust. Anyhow, I just wondered if you would drive me over to see them.”

And so, the foundations for the story of the lives, loves and troubles of the two young ladies Julie and Sarah, is set.

In Tremarrow, Julie and Sarah are both pregnant and from the opening few words we are quickly pulled into their lives of drama, love and adversity. The story centers on Rupert, the wicked man who murdered Sarah’s Mother, as well as his own. He was sentenced to life imprisonment, but has he found a loophole that will make him a free man once more?

Tony published his novel with Memoirs Publishing. At Memoirs we publish children’s books, science fiction, poetry, self-help and much more.

 

About the author:

Tony Dwelly semi-retired after writing Julie’s Meadow, and this has given him the opportunity to dedicate more of his time to writing. Tony was overwhelmed by the positive feedback he received for Julie’s Meadow and by the extensive requests for a sequel. “I’m glad,” he says, “so many readers got as involved with the characters, as I did. Things haven’t changed- I still have that feeling that I know them all personally and get emotionally involved with them. Once again, I hope whoever read’s Tremarrow has as much enjoyment, as I did writing it.”

 

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Memoirs: Putting Pen to Paper

You’ve decided to write a memoir and chosen your subject matter, so now it’s time to put your pen to paper and start bringing your story to life.

‘What is written without effort is in general read without pleasure.’

Samuel Johnson, Johnsonian Miscellanies – Vol II

At first, writing your memoir may seem like a formidable, daunting and overwhelming project. The key to overcoming this, like with any large project, is to break down what can seem like an overwhelming task, into smaller manageable steps. Set yourself achievable and realistic goals that allow room for your other commitments, and take one day at a time. Be disciplined and stick to the regular times you have set aside for writing. With each small step you take, you will get that much closer to completion, and you will find this way of working will support, guide and motivate you throughout the writing process.

‘One of the most challenging aspects of writing a memoir is finding your own voice.’

Jeannette Walls

If you are new to writing you will need to start building your writing muscle. To do this you will need to exercise it through writing regularly. The more you write, the more exercise it gets and so in turn, the easier writing will come to you. New writers will also need to spend some time finding their voice. Again, once you have spent some time writing, you will naturally find your voice and it will become stronger the more you write. Before you begin to write your memoirs, you may like to sit down and write a few hundred words about something you’ve recently experienced or specific events that you may like to include in your memoir. Doing this a few times will help you exercise your writing muscle and find your voice- it may even give you a starting point for your memoir.

Before you sit down to start writing your memoir, it is good to map out the period of time you are looking to cover and create a timeline noting the events and emotional turning points you would like to include. This will give you a guide to refer to while you are writing.

It can be helpful to have a clear theme in mind before you start writing. This clarity will come across in your writing and the theme will transform your memoir from a collection of events into a compelling story. To discover your theme, ask yourself what your story is about and what lessons you have learned from your experience. Your theme may be love makes the world go round, courage overcomes adversity, dreams can come true or people become the strongest where they have suffered most. You don’t have to have a theme in mind before you start writing and it may only emerge or become apparent when you start writing. At some point however, you will need to choose a theme and ensure your story is organised around this. A good ghostwriter can help you notice the themes in your story, draw out the details that support it and organise your writing accordingly.

When you begin writing, don’t worry about making you first draft perfect, just focus on getting something, anything, down on paper. Many writers will tell you the hardest part of writing is getting started, but if you are able to let go of perfectionism and just start writing, you will easily overcome this obstacle. Don’t forget, you can set aside time for revising and polishing later.

You don’t need to start writing your memoir at the beginning. Start writing wherever you feel most comfortable or drawn to, be that a scene, the last chapter, or a single moment. This approach can allow room for creativity and gives you the freedom to finalise a structure at a later point. On the other hand, you may find that you would prefer to take a methodical approach and start with the first chapter, but are unsure of your opening hook. Wherever you would like to start writing your memoir, remember that you can always add to, revise and structure your story at a later point.

The best writers create vivid new worlds for their readers, yet many memoirists produce first drafts that are flat. So it is important to think about referring to all the senses when you are writing. 
Look at fully re-creating moments and experiences by adding detail with sights, sounds, smells, tastes and feelings. The ability to share candid thoughts in the form of observations, insights and learned lessons will further add to the depth and power of your memoir, and bring your true-life story to life.  For advice on ghostwriting, editing and self-publishing a book or e-book, and to see your story in print, go to Memoirs Publishing.

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Memoirs Published: Aviation at the Edge

By John Flexman

Exhilarating, fascinating and insightful, John Flexman’s memoir Aviation at the Edge is the compelling true-life story of an accomplished pilot.

John Flexman knew he wanted to be a pilot from the moment he saw an RAF fly past as a boy of eight. At the young age of sixteen, he joined the Fleet Air Arm of the Royal Navy, getting his ‘wings’ in 1961 at the age of 18. From there on he never looked back.

In Aviation at the Edge, John opens the doors to his long and varied aviation career, taking you with him all over the world on a gripping journey of both highs and lows. He so vividly recounts his feats, adventures and near-misses that at times you feel as though are right there with him, experiencing what it is to be a pilot.

He begins his true-life story with an adrenaline-fuelled paragraph that compels you to read on. His exciting experiences and clarity of writing, create a gripping suspense that makes the memoir a real page-turner.

‘Three thousand feet above the Zambian bush, the DHC2 Beaver had only ten minutes’ fuel remaining. Night was drawing in; ground features were indiscernible. I could not raise anyone on the radio. Would this be the end?’

John began his career flying military jets with the Fleet Air Arm of the Navy. He toured the world for 8 years with HMS Hermes before joining the Zambian Air Force where he enjoyed learning to fly a wide variety of aircraft. In Africa he became a bush pilot and then left for Europe, where he piloted air taxis. He then piloted executive jets in the UK, Twin Otters in Malaysia and helicopters in the North Sea before finishing his fascinating career, flying glass cockpit jets in Nigeria.

During his years in Africa he flew the dictator Idi Amin and witnessed the barbaric results of Amin’s régime. In contrast, he also flew an array of prominent businessmen, politicians and pop stars, from Norman Tebbitt and Rupert Murdoch to Phil Collins and Paul McCartney.

With a colourful, thrilling and exciting career spanning 42-years and 17,800 flying hours, John’s memoir Aviation at the Edge is a must-read for every travel and aviation enthusiast.

 

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Memoirs: Finding the Memoir In You

‘Each of us is a book waiting to be written, and that book, if written, results in a person explained.’

Thomas M. Cirignano, The Constant Outsider

Everyone has fascinating, entertaining and moving true-life stories to share. Perhaps you have lived through the war, experienced trauma or lived a colourful life. Maybe you have overcome adversity and wish to share wisdom, enlighten or possibly inspire others with your story, maybe you would like to leave a legacy and document your life story for your grandchildren or heal and understand yourself. Whatever your motivation for writing a memoir, our How to Write a Memoir series is here to help guide, assist and advise you in your creative journey.

First and foremost, it is helpful to understand what defines a memoir, and how it differs from other genres as writing a memoir is completely different to writing non-fiction. A memoir tells the story of an author’s life and tends to concentrate on one period, as opposed to an autobiography, which is often a chronological narrative concerned with historical setting and action. A memoir also has more of a personal feel and an emotional tone than an autobiography. As a result it can take a lot of courage, strength and soul searching to share your story, but it can also be extremely cathartic.

Every memoirist makes an unspoken promise with her reader that what they write is the truth, to the best of their knowledge. So once you sit down to think about writing your memoir, you will have to consider the need for honesty and openness. You will need to decide what your boundaries are how much you feel comfortable to share. Frank McCourt, the author of the memoirs Angela’s Ashes, offers his thoughts, worries and reasoning on the matter below.

‘Writing memoir is like preparing yourself to go to confession,’ says McCourt, who didn’t publish Angela’s Ashes until he was 66. ‘You have to examine your conscience. And that entails honesty. You can’t write an effective memoir if you’re worried about family and friends looking over your shoulder. Even if the truth hurts, if it is truthful, then there’s no other way to present it. At the very least, readers will recognize the courage in that and respect you for it.’

Jeannette Walls, author of the memoir The Glass Castle, shares her thoughts on the honesty and openness required to write a memoir, as well as its value and potential to enlighten others.

 ‘Memoir is about handing over your life to someone and saying, this is what I went through, This is who I am, and maybe you can learn something from it,’ says Walls. ‘It’s honestly sharing what you think, feel, and have gone through. If you can do that effectively, then somebody gets the wisdom and benefit of your experience without having to live it.’

 Lorna Kelly, author of the memoir The Camel Knows the Way, shares her thoughts about how honesty can allow your readers to connect and relate to you, in so enabling the exchange of insights and wisdom.

‘When you’re truly honest and revealing about yourself, it creates a sigh in other people,’ says Lorna Kelly. ‘They realize they’re not alone, they’re not a freak: Someone else has felt the exact same way or lived their dream. If you’re going to skimp on the truth, then you’re doing a disservice. Honesty is not only a gift to other people—it’s a gift to yourself.’

Everyone is unique, and as such, there are a diverse range of memoirs with ranging subject matters, each sharing and documenting important times, periods and moments of the writer’s unique life experiences. Jeannette Walls wrote of her childhood experiences in her memoir The Glass Castle, as did Frank McCourt in his Pulitzer Prize winning memoir Angela’s Ashes. Elizabeth Gilbert wrote about the places she visited on her journey of self-discovery in the blockbuster-hit memoir Eat, Pray, Love. Lorna Kelly choose to document her time with Mother Teresa and the Missionaries of Charity in her memoir, The Camel Knows the Way.

You can choose to write a memoir about anything that matters to you, that you feel passionate about and want to share with others. Your choice of subject for your memoirs is completely irrelevant but it is crucial you are passionate about your subject. As a guide, it is important to remember that if you are not enthusiastic about the subject, you can’t expect your reader to be.

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How to Write a Memoir

Welcome to the Memoirs Publishing’s How to Write a Memoir guide. Here at Memoirs Publishing, we have created a How to series dedicated to supporting, assisting and advising you with writing your memoir.

Writers take a huge range of different approaches to writing Memoirs, and each and every writer has their own unique style of story telling. Our trusted practical guide will teach you the generic rules of memoir writing and provide you with a resource full of top tips. We are here to help inspire, guide and advise you with writing a memoir that you will be truly proud of.

The Memoirs guide to How to Write a Memoir will cover the following areas:

  • Finding the Memoir In You
  • Putting Pen to Paper
  • Quick Guide
  • Editing and Publishing

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Memoirs Published: Pawprints Through My Life

by Christine Paradine

Bursting with a true love and compassion for animals, Christine Paradine’s memoir Pawprints Through My Life is charming, delightful and endearing.

Upon promising herself that she would record some of her experiences in animal welfare for her grandchildren, when forced into early retirement in 2011, Christine put pen to paper.

Having dedicated her life to loving, caring and rescuing animals, the former manager of the Animals in Distress rescue centre at Ipplepen, shares some of the adventures she had with the wonderful dogs, cats and other creatures she has had the pleasure of meeting at the center and through-out her life. Recounting the moving and amusing times as well as challenging and sad, Christine winsomely opens the doors to her life-story.
Starting the memoir with her first encounters with animals as a child, Christine tells of how she adored dogs as a child, so much that she used to pretend to walk an imaginary one every day for some time. Her passion for animals became her work, when she joined the team at the Devon-based animal charity Animals in Distress on a voluntary basis. She helped to set up their rescue centre, and for more than 20 years she devoted a large part of her life to caring for abandoned and neglected animals. From cats and dogs to sheep, rabbits, goats, chickens and ducks, Christine’s captivating tales and photographs are sure to delight, touch and move.

Christine shares, ‘I hope that everyone who reads it (not just my grandchildren!) will enjoy sharing the true stories of the ups and downs of life around animals.’

Listen to the BBC Radio Devon interview with Christine and to find out more about the author and her passion, view her website. You can also find Christine on Twitter.

Amazon Reviews:

‘Written with compassion and humour – it tugged at my heartstrings and made me smile. A must read for all animal lovers.’ Geraldine , Moreleigh

‘I couldn’t stop reading it. Loved the success stories of the animals with huge challenges.’ Nola, Salcombe

‘Brilliant read!’ Vicki, Abbotskerswell

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Children’s Books: The Definitive Checklist

For your convenience we’ve compiled a definitive checklist to provide you with a quick reference guide to help you write, revise and edit your book for children. Full of questions to ask yourself, advice and tips, our guide will help you write a children’s book you and your readers will truly adore.

 

Writing

  • First and foremost, know and understand your target reader and market
  • Consider using bullet points as a way of helping you outline your story and plot development
  • Consider timing and make sure the conflict is not resolved too soon or too late
  • Once you’ve started writing, focus on the story rather than the market you are writing for
  • Make sure your story has pace and keeps moving effortlessly  from action to action, scene to scene and chapter to chapter
  • Use age appropriate language
  • Use words sparingly- if appropriate, choose one word rather than two or three
  • Make sure that the central character is a child, and that they play a decisive part in the action
  • All characters, good and bad, need both good points and weaknesses
  • If your central character talks to her/himself or does a lot of wondering out aloud, s/he needs a friend to talk to
  • Ensure your characters don’t all sound the same when they speak
  • After you choose a point of view for a character, stick to it
  • If you’re bored with a character, your reader will be too
  • In the end, the good guy must come out on top and the bad guys should never win
  • If your central character hasn’t changed by the end of your story, look at developing them

 

Revising & Editing

  • Once you’ve finished writing your children’s book , ask yourself if the story is as good as it can be. Take a step back and give yourself plenty of time to go back to your story with fresh eyes so you can objectively answer this question. You can then clearly appreciate the parts that work well, and make any necessary changes
  • Is your opening engaging and does it compel the reader to read on? Chances are, if you find your opening boring, so will your readers. Consider cutting lengthy explanations and unnecessary detail – you can include this later on without the risk of losing your readers interest (read Children’s Books: The Value of Openings for further advice)
  • Would you story be stronger with fewer words? Use adverbs sparingly and look at polishing your words if you have more than one page of continuous dialogue. If a sentence doesn’t contribute to plot or character development, delete it
  • Ensure you’re not patronising your reader by spelling everything out
  • Give yourself plenty of time to read your work out aloud to yourself. This will help you spot grammatical errors, repetition and accidental rhyming. It will also help you ensure that your writing flows nicely and that your characters dialogue is convincing
  • Is your story as powerful as it can be? For dramatic events ensure you’ve conveyed and supported the drama with the considered use of pauses in dialogue and action
  • Finally, consider using an independent editor to proofread and edit your story provide valuable feedback for potential revisons. Our editors at Memoirs Publishing offer a dedicated and tailored, editing and proofreading service.

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Memoirs Published: Carry on Ambulance

by Allan Dawson

From the extraordinary and outrageous to the hilarious and delightful, Allan Dawson’s Carry on Ambulance opens the doors to over six decades of true-life stories from the ambulance service.

Allan Dawson’s life long career in the Ambulance service, coupled with his down to earth, perspective and light hearted story telling style, presents you with a candid collection of over 100 stories that are sure to make you laugh out loud, gasp with shock and compel you to read on. Aptly named, the sometimes tongue in check humour of the depicted situations is supported with a corresponding illustration, which further enhances the already hilarious stories.

Taking us through the decades, chapter by chapter, from the 1960’s right through to the present day, Allan also serves to illustrate how changing attitudes, the rise of political correctness and introduction of ambulance service qualifications have impacted the vocation. In the early 1960s, the only prerequisites required to join the ambulance service were a clean driving license and a strong back. New recruits could begin work as an ambulance driver/attendant after a minimal amount of training. But in 1964, everything changed when the Miller Report recommended that ambulance services should provide treatment as well as transport and then again in 1974, when ambulance services were transferred to NHS control.

Below is comical story from the 1960’s that also demonstrates how dramatically the ambulance service has changed over the years:

‘Ambulance Transfer, Sir?

Not only were ambulance staff on very poor wages in the sixties, but uniforms were hard to come by. One ambulance man had still not been issued with a uniform after more than two years. Instead a fireman had given him a very smart double-breasted dark uniform jacket, with lots of silver buttons.

This uniform worked to the crew’s advantage when dealing with particularly awkward patient. A hospital transfer was about to be assigned for an elderly senile male who wouldn’t cooperate with any of the nurses.

The ambulance man explained, ‘When I went in to see the patient in the cubicle in my smart double-breasted uniform with silver buttons and my shiny cap, the old chap took one look at me, leapt to his feet and shouted ‘123468 Brown sir!’ and saluted. It turned out that he had been in the Navy and thought I was a Petty Officer.

‘I told him to get his kit together and not cause any problems for the nurses, or we would come back and sort him out!’

Allan Dawson shares: ‘I have compiled this book of over 100 stories to pass down to posterity some of the extraordinary, bizarre and comical moments of the past 50-odd years. In the interests of all concerned, the names and locations have been altered to protect the guilty. All the stories are true.’

Self-published with Memoirs Publishing, Carry on Ambulance is the perfect book for any medical health care professional, or those looking for a candid, hilarious and down to earth true-life read.

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